#THE PROTEGE 2021 MOVIE#

To say that “The Protégé” is tonally uneven would be an insult to most of the other movies this (or any other) critic has ever described as such. Campbell is like a master chef trying to make a handful of random ingredients into a five-course feast because he knows this is one of the last meals he’ll ever be paid to cook, and all he has to show for his time in the kitchen is a mess of different flavors that don’t taste like much of anything when mixed together. Under these particular circumstances, the results only range from dull to deeply uncomfortable.

#THE PROTEGE 2021 MOVIE#

While “The Protégé” might be destined to die a lonely death somewhere on the iTunes movie rental charts in the not too distant future, there isn’t a sequence in this film that fails to suggest why it might have been fun under different circumstances. “Edge of Darkness”), but even his bad movies belie the precision and integrity responsible for his good ones. Nightmare Film Shoots: 28 of the Most Grueling Films Ever MadeĬampbell’s body of work may be scarred with self-inflicted wounds (e.g. 'Secret Headquarters' Review: Owen Wilson Flies High in Actually Original Kids' ComedyĪ History of Unsimulated Sex Scenes in Cannes Films, from 'Mektoub' to 'Antichrist' 'Free Chol Soo Lee' Review: In This Documentary, Optimism Is a Long Game In other words, “The Protégé” is exactly the kind of junk that’s tempting to dismiss as a tax write-off - or at least it would be if not for the pedigree of the talent involved and the palpable effort that people on both sides of the camera so clearly put into their parts. Jackson as her ailing mentor, and Romania as several different parts of Vietnam (a fully committed performance worthy of Daniel Day-Lewis, or at least Jared Leto). The Protégé seems more like a good example of 'leaving well enough alone,' and while I would like to see this filmmaking team reunite with these actors, I'd rather see it in a new story rather than a new installment.All due respect to the great Martin Campbell - the now-77-year-old New Zealander whose fine-tuned approach to action filmmaking at the studio level has resulted in “The Mask of Zorro” and two different (yet equally operatic) James Bond reboots that each outclassed their respective sequels - but there’s no excuse why a movie in which Michael Keaton plays a winkingly merciless henchman named Rembrandt should be as bland as “The Protégé.” The same could also be said of a revenge thriller in which Jackie Chan is hellbent on killing Pierce Brosnan, or a massive Green Lantern adaptation in which Ryan Reynolds and Blake Lively fall in love before our very eyes while saving the universe from a bulbous-headed Peter Sarsgaard.Īlas, none of Campbell’s previous misfires have promised more or delivered less than the newest film in the director’s career-extending Eastern Europe period, a late summer dud that stars Maggie Q as a sexy assassin, Samuel L. It is what it is.' Honestly, I kind of prefer that because while it is tempting to see more adventures featuring Anna (and if they really wanted to go out on a limb, showing that she didn't kill Rembrandt so he could come back too), ultimately there's something to be said for the self-contained movie that isn't simply setting up more sequels. There have been no talks about sequels because when we made this it was a one-off. As for whether or not that could lead to a sequel, Campbell says they intended to keep this a standalone, although, 'Who knows. While I like the ambiguity of the alternate ending, I think they made the right decision for this movie to show Anna out on top rather than leaving open the possibility that she was killed by Rembrandt. And so it wasn’t just the ending that came up, other elements came up because that was the ending.

And what’s so interesting is that the ending affected other things as well.

The protege 2021